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2022.06.22广东
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“当剧场关闭时，整个世界即为剧场。”
thewholeworldpresentsitself.
Thetheaterisfullofpossibilities.Withinthelimitedspaceofthestage,itcanspantimeandspace,allowingpeopletobeinspiredandexplore,thinkandimaginetogether.Lifeisalwaysbusy,crowdedandmonotonous.Wecan'tdothesamethingsinthesamewayeveryday,butexpectdifferentresults...Thehotellearnsfromtheatre,andusesdramaticimaginationtoopenthecurtaininthecitycenter,stagingsceneaftersceneofsplendiddramaatthetheatricalhotel.
Scene1
第一幕
让你的思想开始一段新世界的陌生旅程
让你的灵魂带你去渴望的地方。
——《歌剧魅影》
通过想象力，戏剧满足了一段灵魂旅程的期待，它是一颗种子，播撒在最遥远的土地上。步入剧场酒店，中庭的木门背后是一个狭小的玻璃长廊，将喧嚣隔绝在外。
Throughimagination,dramafulfillstheexpectationofasoulfuljourney.Itisaseedsowninthemostdistantland.AftersteppingintotheTheatricalHotel,behindthewoodendooroftheatriumisanarrowglassporch,whichblocksthenoisefromtheoutside.
门扉从帷幕中开启，这里蕴含了戏剧的魔力。幕布层层拉开，飞椅悬停，墙上留下问候示好的字段。
Thedooropensbetweenthecurtains,andhereliesthemagicofdrama.Thecurtainispulledopenlayerbylayer,thereisthehoveringchair,andagreetingiswrittenonthewall.
Theoppositepillarsindifferentplacespropupthespaceinthefronthallofthehotel,andtheverticallinesofdoors,windows,wallsandfoldsofthecurtainalsohelptoadvancetheevent.Thiscontinuousgazeateachotherapartcreatesawonderfulatmosphereinthespace.Itseemsthatatime-spacedialoguehasbeentriggered.
Fromthefrontdoortotheentranceofthelobby,theflowoftheinteriorspaceofthelobbyformsapreviewinthedoorsandwindowspassingby,andnaturaltranquilityisintroducedintothelandscapecourtyard,creatingathrobbingsenseofceremonyinthehighspace.
Scene2
第二幕
疯子、情人、诗人都是想象的产儿。
抽象化的世界四大湾区画幅——粤港澳大湾区、纽约湾区、东京湾区及旧金山湾区，以剧院幕布经典的吊杆和滑轮结构作为悬吊构件，形成一个动态的场景轮换构想。
Theabstractpicturesofthefourmajorbayareasintheworld,theGuangdong-HongKong-MacaoGreaterBayArea,theNewYorkBayArea,theTokyoBayAreaandtheSanFranciscoBayArea,formadynamicscenerotationbyusingtheclassicboomandpulleystructureofthetheatercurtainasthesuspensioncomponents.
Agapisopenedonthestage,andthescenesofwindows,doorsandpassagesareoverlappedandplacedintoacommonfieldofvision.Likeastageddrama,thecontentofstoriesindifferenttimeandspaceispresentedonthesamestage,formingamulti-threadparallelnarrative.
Itisasifthroughamagicmirror,inanendlessstreamofimages,lifeisreflectedinanever-before-seenorderandsimplifiedandmagnified.
Thebackgroundwallofthereceptiondeskofthehoteluseshexagonalpointlightstoformastar-strewnmapofShenzhen,formingadazzlingnightviewofthecity.ThewelcomewalldisplaysthehistoricalstoryofHamptonfromitsbirthanddevelopmentintheUnitedStates,andtheflashingneonsignsgiveaBroadwaymodernandcolorfultheatricalattributetothestory.
开启一片窗扇，越过窗口望向餐厅，望向更多其他空间。视线在多个打开的洞口中穿行，隐约看到有用餐的人，有等待的人，有静止的物，流动的景。
Openawindowsashandlookbeyondthewindowtothediningroomandtomoreotherspaces.Thesighttravelsthroughmultipleopenings,andvaguelyyoucanseepeopledining,peoplewaiting,stillobjects,andflowingscenery.
Thelobbybarandthegatheringareaformadramaticeffectonthestageandoffthestage.Whenthescenesofguestsrestingindifferentareasappearinthesameframe,thecompletespatialstructurecreatesadramaticandwonderfulconnectionbetweenindependentstories,subvertingthelimitationoftimeandspace.
Byestablishingasenseofplace,thehotelguidesguestsintothepoeticandromanticrenderingofthetheatricalspace,andbycreatingabeautifulmetaphor,itevokestheirinnertruthandlifeexperiencethatresonateswithotherpeople.
Theallureofthetheatreasweknowitisthatitisfullofstage"phantoms".Itleadstheaudience/visitorsintothemesandconceptionsbyconjuringupthepeculiaritiesoftheplace.It'saratherfantasticfieldthatinvolvesnotjustlogicbutmagic.
Thetreeshadowsattheentranceoftherestaurantopensuptheinteriorgreenspaceinanaturalway.Whenthedramaticimaginationevokesthetruthintheheart,everythingislikesteppingintoahistoricsite,andthestoriesofthepastfloodintoyourmindandreappearinfrontofyou.
绒布椅背，皮质座面，网帘，涂料，不同的材料元素在绿色盒子中呈现出丰富纯粹的质感。
Flannelseatback,leatherseatsurface,netcurtain,paint...differentmaterialelementspresentarichandpuretextureinthegreenbox.
Thefuzzinessofthenetcurtaindefinesthespace,makingtheboothsindependentofeachotherwhilemaintainingahazyperception.
Netcurtainsandgrillesarecontainersforlightandshadow.Theintermittentmoonlightandevenandsoftlamplightsatnightarehiddenonthewindowpanesofthewholewall,interweavingasubtleatmosphereofhalf-dreamingandhalf-awake.
Passingthroughthenarrowdoor,intheframedscene,thetwoarchedspacesformadramaticcontrast:virtualandsolid,highandlow,lightanddark,likeamagicaldramaticstage.
Thevaultedshapeoftheclassicaltheateriscombinedwiththeorangewall,andtheincomingsunlightisaddedasanelementtothisexplorationofsenses.Inthisjourney,thetheatricalartpresentsonlyhalfofitself.Theotherhalfofthefragmentsarewaitingforunknownaudiencetodiscoverthroughintuition,comprehension,andimagination.
Thebrightyellowlightfallsonthenetcurtain,andthesofttextureoftheyarnbringsacomfortableandelegantdiningexperienceinthespace.Thepinkseatspresentdifferentshadesoflightandshadowinfreshredtones,activelyenrichingthespatialexpressionwithoutdestroyingtheoverallsimplicity.
Thebarservesasadiningspaceinthecrisplightoftheday.Atnight,whenthelightsdim,thebartransformsintoarelaxingspacefulloffragrantwine.Asiftheclosedcurtainisopenedagain,anewworldunfoldsbeforeoureyes,andablurredandambiguousstorypermeatesthetheater.
Inthelamplight,followingthecurvatureofthearcshape,thegrilleproducesagradientfromlighttodark.Thesediscreteandcharminglightscastshadowsinthegapsthatechotheleavesofplants,creatingdramatictensioninthecontrastofindoorandoutdoorlightperception.
Duringthelong,quietlightadjustment,somethingwonderfulhappens.Asweliftthesceneoutoftheshadows,bylettingthebeamsweepdiagonallyacrosscolumns,thelightscomeonlikeaspell,makingthescenecomealivestepbystepuntilitseemstobreatherightinfrontofyou.
Inthecirclesofhalo,thelifeofthetheatercontinuestomoveforward.Itisalifethatwecanperceive,understand,andloveatthesametime.
Standingintheelevatorhallandlookingback,weimaginegoingbacktotheStoneAge.Afteralongdayofhunting,twostrongleaders,thefirstactorsintheworld,wereenthusiasticallyenactingtoday'sintenselionhuntingprocesstoothers,whileoneofthemwasdressedinalion'sfur.Undertheshadowofnight,wesataroundthecampfireandwatchedthepremierewithtremblingfear,feelingourheartbeatingstronglyintension,fearandjoy.
Thousandsofyearshavepassedsincethebirthofthetheateratanepiphany,andwestillliketoimagine,justlikeathousandyearsago,andbefascinatedbythiswonderfultheatricalart.
Differentfromthelivelyatmosphereofthepublicarea,theguestroomshaveaquietandwarmminiaturetheater.Thesymbolicurbanculturalelementsandhangingpaintingsabstractlyexpressthehistoricalhighlightsofthecity.Theflannelcurtainsofthestagecurtaincombinedwiththebackofthebedandtheupholsteredsofacreateacompactandwarmdreamland.
Thefastpaceoflifeinthecityoftencompressespeople'sheartandspiritualworld,butthetheatricalandartisticspacecangivepeopletheopportunitytoimagineandmeditateontherelationshipbetweenthemselvesandtheworldandbetweenthemselvesandthetrueself.
世界是一座舞台，
所有的男男女女不过是演员:
有上场的时候，也有下场的时候。
——《皆大欢喜》
每当清晰的真实，意外地穿越我们日常生活的模式时，我们都能体会到另一个自我的存在。几乎没有人不曾体会过这种内在自我的外现。
Wefeelthepresenceofthisotherselfwhensomemomentofstarkrealitystrikesthroughtheconventionsofoureverydaylives.Thereisnoonewhohasnotexperiencedatsometimeorotherthesenseofinwardwithdrawal.
Alllifeisindeedaplayinwhichweactoutourrolesuntilthefinalcurtainfalls.Thisideaofthetheatregoesdeep.Werecognizeitstruthinourinmosthearts.
Weknowthatitistrueasweknowthatoursoulsareimmortal.Iampersuadedthattheconsciousnessofadualpersonality-thesenseofotherness,ofapartness,thesensethatwearepossessed,thatanother'svoiceeverandagainspeaksthroughus--isathingthatisverycommoninhumanexperienceandthatitistheonlythingthatseparatesusfromthebrutes.Perhapsitwasthesenseoftheatrethatmadeushuman,agesago.
李想先生，加设计有限公司创始人及总设计师，擅长将物理环境转变为感官体验，在人、空间、物质之间建立情感联系。对每个项目都保持好奇心，在文化、艺术、美学之间寻找可能性，突破固有格局，打造完整、永恒的空间。李想先生先后为希尔顿，文华东方，洲际，温德姆，丽笙，锦江等10多个国际酒店管理集团旗下的20多个国际品牌提供设计服务，帮助众多项目获得独一无二的空间体验。并带领团队在众多国际奖项中屡获殊荣，享有盛誉。